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"Perhaps
one day, after my art has opened everybody's eyes, some enthusiastic soul will rescue me
from the gutter." - Paul
Gauguin, letters from Brittany & the South Seas |
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Whatever your belief (or non-belief) regarding life
after death, and whichever term you apply:
reincarnation, life after life, everlasting life, "Pass
It On" is a story of two artists from two different
centuries with striking parallels, amazing coincidences,
and humorous ironies linking them together. The story
has all the attributes of a great fiction classic, but
it's a true story and even the authors can't claim
creative rights over it. Technically, history already
wrote this story, the authors are simply passing it on.
Along
with the series of parallels linking the two artists
together after more than 100 years, Peter Teekamp claims
to have come face to face with evidence that gives him
an understanding into Gauguin's art that no one has ever
written about. The evidence stems from a series of
coincidences that also led Peter to a discovery within
Gauguin's artworks.
The
Dutch artist, Teekamp, believes he is that "enthusiastic
soul" Gauguin refers to. Teekamp claims a unique insight
into the mysterious world and hidden meanings of the art
and life of the famous and controversial French artist.
Teekamp
believes Gauguin was misunderstood and remained an
enigma throughout his life and even in death. Gauguin
continues to be a mystery as books with various views on
his art continue to be published. There are more than
160 titles written about him, but his philosophies and
art are being interpreted and presented by Teekamp in a
way never before considered.
A
lifetime of recurring themes of coincidence connecting
him to Gauguin, from the simple occurrence of a book
falling open to pages about the artist (not just once,
but too many times to write off as mere coincidence), to
strangers walking up to him and announcing his
connection to Gauguin, there was one final event that
caused Teekamp to study the French artist in a way no
one ever had. The serious study began years into
Teekamp's own art career when he was actually accused of
being the spirit of Paul Gauguin reincarnated. This was
a claim he was not sure he wished to believe but even
more difficult for him to ignore.

For
numerous reasons this caused Teekamp great distress. At
that time the little knowledge he had of Gauguin was not
necessarily positive. In fact, Gauguin was regarded with
contempt by some for leaving his wife and family behind
in search of his artists' paradise of primitive man and
unspoiled nature. (This is certainly not the only
version. It is said that Mette Gauguin fully supported
her husband and understood his need to explore a
different environment to fulfill his creative passions.
It was Gauguin's hope to be successful, it was Mrs.
Gauguin's hope and intention to promote and sell the
works he sent home.)
Now,
with a bombardment of coincidence, Teekamp was no longer
able to pass off this mystery as simple irony. He had to
find out what the connections and parallels to Gauguin
were telling him. He knew there was something there that
needed further study. He began to look closer at
Gauguin's life and art and found some amazing parallels
and a startling discovery.
The discovery refers to a hidden secret within the artworks of Paul Gauguin that has not been
exposed in more than 100 years. A secret clearly revealed to Peter Teekamp and found
in his own artworks years before the parallels were ever researched. This is just
one of the pieces to a puzzle, more events concerning the clues that led to Peter's
discovery fall into place years after this information was assembled.
|
Comparing
the two artists |
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Paul Gauguin |
Peter Teekamp |
| (1)
Boarding schools - Gauguin spent his early
life away from home in boarding schools. |
(1) Boarding
schools - Teekamp spent his early
life away from home in boarding schools. |
| (2) Spirituality -
Gauguin put on canvas his visionary effects. |
(2) Spirituality -
Teekamp puts on canvas his
visionary effects. |
| (3) Brush
stroke style - Gauguin was known for his use of short
brush strokes and brilliant flat colors. |
(3) Brush
stroke style - Teekamp is known for his use of short brush strokes
and brilliant flat colors. |
| (4) World
traveler - Gauguin traveled and immigrated extensively to foreign
lands. |
(4) World
traveler - Teekamp has traveled and immigrated extensively to foreign
lands. |
| (5) Lived
in St. Cloud - Gauguin moved to St. Cloud,
France where he began to paint seriously. |
(5) Lived
in St. Cloud - Teekamp moved to St. Cloud, Minnesota where he began to paint seriously. |
| (6) Hidden
signature - Gauguin would hide his signature
in his artworks. |
(6) Hidden
signature - Teekamp hides his signature
in his artworks. |
| (7) Successful
businessman - Gauguin was successful in his business ventures. |
(7) Successful
businessman - Teekamp is successful in his business ventures. |
| (8) Eventually
became a full-time artist - After a period of duality as a businessman and
an artist, Gauguin eventually made a break to total dedication as an
artist. |
.(8)
Eventually became a full-time artist - After a period of duality as
a
businessman and an artist, Teekamp eventually made a break to total dedication as an
artist. |
| (9) Portrait
style - Gauguin painted portraits not just with the physical likeness, but with the dream of the subject in mind as in
"Portrait of Van Gogh Painting Sunflowers in Arles." |
(9) Portrait
style - Teekamp paints portraits not just
with the physical likeness, but with the dream of the subject in mind as in
"Portrait of Angela Teekamp," (also known as "My Lady"). |
| (10) Construction
style - Gauguin used linear construction
in his artwork, leading to a central point. |
(10) Construction
style -
Teekamp uses linear construction
in his art work, leading to a central point. |
| (11) Line style
- Gauguin used sharp lines in
the nose structure of most of his self portraits and some of his hidden profile images. |
(11) Line style
- Teekamp uses sharp lines in
the nose structure of most of his self portraits and some of his hidden profile images. |
| (12) Affinity for
native culture - Gauguin felt a strong connection with the Indian
Spirit. |
(12) Affinity for
native culture - Teekamp feels a strong connection with the Indian
Spirit. |
| (13) Visionary
- Gauguin was considered to be "ahead
of his time." |
(13) Visionary
- Teekamp is considered to be "ahead
of his time." |
| (14) Art
education - Gaugin did not receive a higher education in the field of art. |
(14) Art
education - Teekamp did not receive a higher education in the field of art. |
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Gauguin claimed an
understanding of his past lives and believed in reincarnation.
Teekamp's near-fatal birth and first-life memory of a near-death
drowning are facts that he suggests made him keenly aware at an
early age that we are Spirits first. Teekamp's belief in
reincarnation, or life after life, also caused him to study and
delve into past life regression therapy. This research brought even
more information to the surface about Gauguin, a man that some
called the "Father of Modern Art".
Gauguin often
reflected on a close connection with the "Indian in himself" as he
put it. In the artworks of Teekamp, the Indian Spirit has always
been a theme that intensely interested him for reasons he was never
able to explain. Numerous paintings with the subject of the Indian
Spirit fill his walls.
In the artworks of
Teekamp as far back as 1969, a unique 'signature' was placed in his
work and he enjoyed its discovery by friends. In the artworks of
Gauguin, he hid the identical 'signature' and letters quoting
Gauguin himself point to their ultimate discovery. This discovery
has little mention in all the titles written. Teekamp believes he
was meant to share that aspect of the late artist's work and give
him the closer look Gauguin always felt his work deserved.
In 1997, after
keeping the information private for nearly twenty years, Teekamp
decided he should share what he called the 'good news' about Paul
Gauguin. He and his partner, co-author Michelle Moshay, prepared the
first manuscript in January of 1998. That month, coincidentally
again, a luxury cruise liner was launched and christened the M/S
Paul Gauguin and set sail to Gauguin's beloved Tahiti and the South
Seas where the artist lived and died. The final chapter of "Pass It
On" was to be a return to Tahiti and the sudden emergence of
Gauguin's namesake ship seemed meant-to-be for Teekamp's
announcement. The pair began working on a lecture and slide
presentation outlining the hidden secrets and philosophies within
Gauguin's art, wanting to share it aboard the M/S Paul Gauguin,
meanwhile seeking a publisher for the manuscript.
"For the majority,
I shall always remain an enigma, I realize people will understand me
less and less ... No matter what happens, I assure you that I shall
achieve things of the first order. I can feel it and we shall see,"
Paul Gauguin, Letters from Brittany and the South Seas.
The information and
samples of Gauguin's work, the list of parallels and coincidences
within "Pass It On, Art HIStory" give a new recognition to what
Teekamp and Moshay feel was a misunderstood artist with a secret
message. The message is one of hope, enlightenment and inspiration
for every living soul to study the clues around them and discover
their own true destiny. It's information that will rewrite the
history books concerning the art and life of Paul Gauguin and
finally, 100 years later, give him the recognition and fame he
strongly believed would be his.

"Where have we
come from? What are we? Where are we going?" - Paul Gauguin



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